Compartir
The Oxford Handbook of Music and Intellectual Culture in the Nineteenth Century (Oxford Handbooks) (en Inglés)
Sarah Collins
(Ilustrado por)
·
Paul Watt
(Ilustrado por)
·
Michael Allis
(Ilustrado por)
·
Oxford University Press, USA
· Tapa Dura
The Oxford Handbook of Music and Intellectual Culture in the Nineteenth Century (Oxford Handbooks) (en Inglés) - Watt, Paul ; Collins, Sarah ; Allis, Michael
$ 165.00
$ 223.93
Ahorras: $ 58.93
Elige la lista en la que quieres agregar tu producto o crea una nueva lista
✓ Producto agregado correctamente a la lista de deseos.
Ir a Mis ListasSe enviará desde nuestra bodega entre el
Lunes 13 de Mayo y el
Martes 14 de Mayo.
Lo recibirás en cualquier lugar de Estados Unidos entre 1 y 3 días hábiles luego del envío.
Reseña del libro "The Oxford Handbook of Music and Intellectual Culture in the Nineteenth Century (Oxford Handbooks) (en Inglés)"
Rarely studied in their own right, writings about music are often viewed as merely supplemental to understanding music itself. Yet in the nineteenth century, scholarly interest in music flourished in fields as disparate as philosophy and natural science, dramatically shifting the relationship between music and the academy. An exciting and much-needed new volume, The Oxford Handbook of Music and Intellectual Culture in the Nineteenth Century draws deserved attention to the people and institutions of this period who worked to produce these writings. Editors Paul Watt, Sarah Collins, and Michael Allis, along with an international slate of contributors, discuss music's fascinating and unexpected interactions with debates about evolution, the scientific method, psychology, exoticism, gender, and the divide between high and low culture. Part I of the handbook establishes the historical context for the intellectual world of the period, including the significant genres and disciplines ofits music literature, while Part II focuses on the century's institutions and networks - from journalists to monasteries - that circulated ideas about music throughout the world. Finally, Part III assesses how the music research of the period reverberates in the present, connecting studies in aestheticism, cosmopolitanism, and intertextuality to their nineteenth-century origins. The Handbook challenges Western music history's traditionally sole focus on musical work by treating writings about music as valuable cultural artifacts in themselves. Engaging and comprehensive, The Oxford Handbook of Music and Intellectual Culture in the Nineteenth Century brings together a wealth of new interdisciplinary research into this critical area of study.
