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portada The Tropics Bite Back: Culinary Coups in Caribbean Literature (en Inglés)
Formato
Libro Físico
Año
2013
Idioma
Inglés
N° páginas
304
Encuadernación
Tapa Blanda
ISBN
0816679843
ISBN13
9780816679843
N° edición
1

The Tropics Bite Back: Culinary Coups in Caribbean Literature (en Inglés)

Valerie Loichot (Autor) · University Of Minnesota Press · Tapa Blanda

The Tropics Bite Back: Culinary Coups in Caribbean Literature (en Inglés) - Valerie Loichot

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Reseña del libro "The Tropics Bite Back: Culinary Coups in Caribbean Literature (en Inglés)"

VALÉRIE LOICHOT NAMED WINNER OF MLA’S SCAGLIONE PRIZE FOR FRENCH AND FRANCOPHONE STUDIES FOR THE TROPICS BITE BACK: CULINARY COUPS IN CARIBBEAN LITERATURE New York, NY – 3 December 2014 – The Modern Language Association of America today announced it is awarding its twenty-second annual Aldo and Jeanne Scaglione Prize for French and Francophone Literary Studies to Valérie Loichot, of Emory University, for her book The Tropics Bite Back: Culinary Coups in Caribbean Literature, published by the University of Minnesota Press. The prize is awarded annually for an outstanding scholarly work in its field—a literary or linguistic study, a critical edition of an important work, or a critical biography—written by a member of the association. The ubiquitous presence of food and hunger in Caribbean writing—from folktales, fiction, and poetry to political and historical treatises—signals the traumas that have marked the Caribbean from the Middle Passage to the present day. The Tropics Bite Back traces the evolution of the Caribbean response to the colonial gaze (or rather the colonial mouth) from the late nineteenth century to the twenty-first. Unlike previous scholars, Valérie Loichot does not read food simply as a cultural trope. Instead, she is interested in literary cannibalism, which she interprets in parallel with theories of relation and creolization. For Loichot, “the culinary” is an abstract mode of resistance and cultural production. The Francophone and Anglophone authors whose works she interrogates—including Patrick Chamoiseau, Suzanne Césaire, Aimé Césaire, Maryse Condé, Edwidge Danticat, Édouard Glissant, Lafcadio Hearn, and Dany Laferrière—“bite back” at the controlling images of the cannibal, the starved and starving, the cunning cook, and the sexualized octoroon with the ultimate goal of constructing humanity through structural, literal, or allegorical acts of ingesting, cooking, and eating. The Tropics Bite Back employs cross-disciplinary methods to rethink notions of race and literary influence by providing a fresh perspective on forms of consumption both metaphorical and material.

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