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portada Goering'S man in Paris: The Story of a Nazi art Plunderer and his World (en Inglés)
Formato
Libro Físico
Año
2021
Idioma
Inglés
N° páginas
408
Encuadernación
Tapa Dura
ISBN13
9780300251920

Goering'S man in Paris: The Story of a Nazi art Plunderer and his World (en Inglés)

Jonathan Petropoulos (Autor) · Yale University Press · Tapa Dura

Goering'S man in Paris: The Story of a Nazi art Plunderer and his World (en Inglés) - Jonathan Petropoulos

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Reseña del libro "Goering'S man in Paris: The Story of a Nazi art Plunderer and his World (en Inglés)"

"[Petropoulos] brings Lohse into sharper focus, as a personality and axis point from which to explore a network of art dealers, collectors and museum curators connected to Nazi looting. . . . What emerges from Petropoulos's research is a portrait of a charismatic and nefarious figure who tainted everyone he touched."-Nina Siegal, New York Times "With meticulous precision Jonathan uncovers the inner workings of the Nazi looting machine, exposing a network that lasted well into the 1960s. Indeed Goering's Man still casts a long shadow."-Simon Goodman, author of The Orpheus Clock A charged biography of a notorious Nazi art plunderer and his career in the postwar art world Bruno Lohse (1911-2007) was one of the most notorious art plunderers in history. Appointed by Hermann Goering to Hitler's art looting agency in Paris, he went on to help supervise the systematic theft and distribution of more than thirty thousand artworks, taken largely from French Jews, and to assist Goering in amassing an enormous private art collection. By the 1950s Lohse was officially denazified but was back in the art dealing world, offering masterpieces of dubious origin to American museums. After his death, dozens of paintings by Renoir, Monet, and Pissarro, among others, were found in his Zurich bank vault and adorning the walls of his Munich home. Jonathan Petropoulos spent nearly a decade interviewing Lohse and continues to serve as an expert witness for Holocaust restitution cases. Here he tells the story of Lohse's life, offering a critical examination of the postwar art world.

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