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portada Contesting the Classroom: Reimagining Education in Moroccan and Algerian Literatures: 70 (Contemporary French and Francophone Cultures) (en Inglés)
Formato
Libro Físico
Año
2019
Idioma
Inglés
N° páginas
200
Encuadernación
Tapa Dura
ISBN13
9781789620214

Contesting the Classroom: Reimagining Education in Moroccan and Algerian Literatures: 70 (Contemporary French and Francophone Cultures) (en Inglés)

Erin Twohig (Autor) · Liverpool University Press · Tapa Dura

Contesting the Classroom: Reimagining Education in Moroccan and Algerian Literatures: 70 (Contemporary French and Francophone Cultures) (en Inglés) - Erin Twohig

Libro Físico

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Reseña del libro "Contesting the Classroom: Reimagining Education in Moroccan and Algerian Literatures: 70 (Contemporary French and Francophone Cultures) (en Inglés)"

Contesting the Classroom is the first scholarly work to analyze both how Algerian and Moroccan novels depict the postcolonial classroom, and how postcolonial literatures are taught in Morocco and Algeria. Drawing on a corpus of contemporary novels in French and Arabic, it shows that authors imagined the fictional classroom as a pluralistic and inclusive space, often at odds with the narrow nationalist vision of postcolonial identity. Yet when authors wrote about the school, they also had to consider whether their work would be taught in schools. As this book’s original research on the teaching of literature shows, Moroccan and Algerian schools have largely failed to promote the works of local authors in public school curricula. This situation has dramatically altered literary portraits of education: novels marginalized in the public education system must creatively reimagine what pedagogy looks like and where it can take place. In illuminating a literary corpus neglected by political scientists and sociologists, Contesting the Classroom shows that novels about the school are an important source of counter-narrative about education and national identity. At the same time, by demonstrating how education has influenced writing styles, this work reframes the classroom as a necessary cultural context for scholars of postcolonial literature.

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